NAGLFAR‘s long awaited new album “Cerecloth” is released! To increase the anticipation it comes with a Visualizer Clip for the album’s ending tune “Last Breath of Yggdrasil”.
Check it out here:
NAGLFAR comment: “It has been a long journey, but finally we have arrived at the end.Cerecloth is upon you, and we thought that it would be suitable to present the song “Last Breath of Yggdrasil” to celebrate that. We hope that you enjoy the album.We enjoyed making it.”
It has been a long eight-year stretch between releases for Sweden’s black metal nihilists NAGLFAR, but despite the long wait, the band hasn’t been resting on their laurels. Like any slumbering beast, NAGLFAR have returned from their respite ferocious and hungry with their seventh full-length album “Cerecloth”. Recorded and mixed by NAGLFAR guitarist Marcus Norman at Wolf’s Lair Studio, and mastered by Dan Swanö at Unisound, the underlying musical and lyrical themes of “Cerecloth” were succinctly and confidently described by guitarist Andreas Nilsson: “The usual death and destruction.”
Judging from Andreas’ curt description, and the grim, ghostly cover art from the renowned artist Kristian Wåhlin and layout by Seiya Ogino of Ogino Design certain death is exactly what “Cerecloth” holds within.
Listen to “Cry of the Serafim”, the 3rd song taken from NAGLFAR’s upcoming album, “Cerecloth”, by checking out the visualizer clip that is based on the outstanding artwork of the album here:
NAGLFAR comment: “With ‘Cry of the Serafim’ we wanted to explore a heavier and darker sound. Trying to create something different from what we usually do, while still keeping the NAGLFAR spirit intact.”
It has been a long eight year stretch between releases for Umeå, Sweden’s black metal nihilists NAGLFAR, but despite the eight year wait, the band hasn’t been resting on their laurels. Like any slumbering beast, NAGLFAR have returned from their respite ferocious and hungry with their seventh full length album “Cerecloth” which is due for a worldwide release on May 8th, 2020. Recorded and mixed by NAGLFAR guitarist Marcus Norman at Wolf’s Lair Studio, and mastered by Dan Swanö at Unisound, the underlying musical and lyrical themes of “Cerecloth” were succinctly and confidently described by guitarist Andreas Nilsson: “The usual death and destruction.”
Judging from Andreas’ curt description, and the grim, ghostly cover art from the renowned artist Kristian Wåhlin and layout by Seiya Ogino of Ogino Design certain death is exactly what “Cerecloth” holds within.
Mirror, mirror on the wall – who is the maddest of them all? The social media rumors are true: The savage beast from the North YE BANISHED PRIVATEERS return in an unabashed metal guise to lead their listener astray. Just in time for the most foolish day of the year, the Swedish sea-pillagers have just released a new piece straight from the untamed sea via Napalm Records: „No Metal, No Pay“ feat. Kris Olivius (Naglfar) along with a social statement, that they have ambitions to become the number one Power Thrash Pirate Metal Band in Europe.
YE BANISHED PRIVATEERS are well known for their singalong hymns and unmistakably folksy tunes, as can be heard on their latest pirate eposHostis Humani Generis. As the true corsairs of hearts, they’ve taken the people’s opinion very seriously and now leave the paths of folk behind: this time, it’s either metal or die! With a stiff sea breeze, a clear wink of the eye and a lot of cheeky humor, the pirates metallize their trademark sound.
YE BANISHED PRIVATEERS on „No Metal, No Pay“:
“With “No Metal, No Pay” we wanted to make fun of ourselves, and joke about the misconceptions that comes from being a folk music band signed to a metal label, and hopefully give people a lough or two in these difficult times. For us, this April’s fools release is our way of saying that although we put a lot of effort into our music, we really don’t take ourselves all that serious all the time. Reviewers and first-time listeners who expect us to sound like great Pirate Metal bands like Alestorm or Running Wild, are prone to be disappointed by the lack of distorted guitars and gut punching blast beats. We are proud and happy to be signed to Napalm Records, one of the worlds biggest metal labels, but we are sticking to what we know best – Pirate Folk.“
Even if it’s just for one day: Put the fiddle aside, strengthen your growls and get ready for YE BANISHED PRIVATEERS’ metal banger!
This fall the Swedish sea marauders YE BANISHED PRIVATEERS will prove once again what they know best: honest and energetic Pirate Folk! They will present their new full-length, Hostis Humani Generis, live on tour. They offer more than enough audacious atmosphere, folk tunes and foul rambling to secure their unique position in the genre. Swedish marauders of the sea take you through the ups and downs of pirate life!
Catch YE BANISHED PRIVATEERS live: w/ VISIONS OF ATLANTIS & AD INFINITUM
24.09.20 AT – Graz / Explosiv
25.09.20 DE – Weinheim / Cafe Central
26.09.20 DE – Munich / Backstage Club
27.09.20 IT – Milan / Legend Club
29.09.20 UK – London / The Underworld
30.09.20 FR – Paris / tbc
01.10.20 DE – Cologne / Helios 37
02.10.20 NL – Enschede / Metropol
03.10.20 DE – Leipzig / Hellraiser
04.10.20 DE – Erfurt / From Hell
06.10.20 NL – Utrecht / De Helling
07.10.20 NL – Tillburg / 013
09.10.20 DE – Hamburg / Headcrash
10.10.20 SE – Gothenburg / Valand
11.10.20 SE – Stockholm / Slaktkyran
13.10.20 CZ – Prague / Nova Chmelnice
14.10.20 DE – Dresden / Reithalle
15.10.20 AT – Vienna / Szene
16.10.20 CZ – Zlin / Masteres of Rock Cafe
17.10.20 SK – Zvolen / DK ZSR
YE BANISHED PRIVATEERS are:
Anders ”Nobility” Nyberg – cembalo, pump organ and miniature piano
Anton “Quinton Taljenblock” Teljebäck – viola pomposa, fiddle, mandoline, cable cutting crashes and main chopper of the sloppy beats
Björn ”Bellows” Malmros – squeeze box, hurdy gurdy and voices of madness
Eva ”the Navigator” Maaherra Lövheim – violin, nyckelharpa and vocals
Frida “Freebird af Wærmaland” Granström – violin, viola and vocals
Hampus “Monkey Boy” Holm – the big drum and other floggables
Louise “Happy Lou” Gillman – feisty fiddle
Ina ”Battery” Molin – cajon, marimba, pompous percussions and all things beatable
Jens ”Wan Chou Zhong” Tzan Choong – obnoxious stringdrum, wee guitar, huge oriental fruit thing with strings and Chinese harpy harpy – aka Banjo/Guitalele/Sitar/Guzheng
Jim ”Silent Jim” Sundström – mandolino, guitarra, irish tenor banjo, false chord-posing, wishful singing, wrong stage-whistle and mould infested clothing
Jonas “Hogeye McGinn” Nilsson – rusty old 5-string
Magda “Magda Malvina Märlprim” Andersson – blood stained lute guitar and cherry vocals
Martin “Scurvy Ben” Gavelin – cajon, percussions and vocals
Nick “Meat Stick Nick” Bohman-Ernhill – ukulele bass, double bass and bass trombone
Peter “Quartermaster Blackpowder Pyte” Mollwing – crude singing, sentimental lyrics, desecration of primary sources and debatable Brittish accent
Richard ”Old Red” Larsson – them thick and them thin strings
Sara “Landmark” Lundmark – percussion and marching drum
Stina “Filthylocks” Hake- violoncell and fipple pipes
William ”Shameless Will” Hallin – vocals, vanity, profanity, coin snatching and coat turning
Hampus “Bojtikken” Larsson – tight noose vocals and scrap percussion
Get drawn into a “Vortex of Negativity”, the second track taken from NAGLFAR’s new album “Cerecloth”, by watching their latest video clip here:
NAGLFAR comment: “Here it is: Our second video, ‘Vortex of Negativity’, from our upcoming album, ’Cerecloth’. Once again we worked with Arevärn Films to visualize the apocalypse, and we are very pleased to finally be able to share it with you.”
It has been a long eight year stretch between releases for Umeå, Sweden’s black metal nihilists NAGLFAR, but despite the eight year wait, the band hasn’t been resting on their laurels. Like any slumbering beast, NAGLFAR have returned from their respite ferocious and hungry with their seventh full length album “Cerecloth” which is due for a worldwide release on May 8th, 2020. Recorded and mixed by NAGLFAR guitarist Marcus Norman at Wolf’s Lair Studio, and mastered by Dan Swanö at Unisound, the underlying musical and lyrical themes of “Cerecloth” were succinctly and confidently described by guitarist Andreas Nilsson: “The usual death and destruction.”
Judging from Andreas’ curt description, and the grim, ghostly cover art from the renowned artist Kristian Wåhlin and layout by Seiya Ogino of Ogino Design certain death is exactly what “Cerecloth” holds within.
As a first taste for their upcoming new album, “Cerecloth”, NAGLFAR are releasing a video clip for the title-track!
NAGLFAR comment: “We are proud to hereby reveal the title-track from our upcoming album. ‘Cerecloth’ marks our first cooperation with Umeå-based Arevärn Film, and we couldn’t be more pleased with the result. This is a perfect presentation of what NAGLFAR is about in the year 2020. We hope that you will enjoy.”
It has been a long eight year stretch between releases for Umeå, Sweden’s black metal nihilists NAGLFAR, but despite the eight year wait, the band hasn’t been resting on their laurels. Like any slumbering beast, NAGLFAR have returned from their respite ferocious and hungry with their seventh full length album “Cerecloth” which is due for a worldwide release on May 8th, 2020. Recorded and mixed by NAGLFAR guitarist Marcus Norman at Wolf’s Lair Studio, and mastered by Dan Swanö at Unisound, the underlying musical and lyrical themes of “Cerecloth” were succinctly and confidently described by guitarist Andreas Nilsson: “The usual death and destruction.”
Judging from Andreas’ curt description, and the grim, ghostly cover art from the renowned artist Kristian Wåhlin and layout by Seiya Ogino of Ogino Design certain death is exactly what “Cerecloth” holds within.
It has been a long eight year stretch between releases for Umeå, Sweden’s black metal nihilists NAGLFAR, but despite the eight year wait, the band hasn’t been resting on their laurels. Like any slumbering beast, NAGLFAR have returned from their respite ferocious and hungry with their seventh full length album “Cerecloth” which is due for a worldwide release on May 8th , 2020. Recorded and mixed by NAGLFAR guitarist Marcus Norman at Wolf’s Lair Studio, and mastered by Dan Swanö at Unisound, the underlying musical and lyrical themes of “Cerecloth” were succinctly and confidently described by guitarist Andreas Nilsson: “The usual death and destruction.”
Judging from Andreas’ curt description, and the grim, ghostly cover art from the renowned artist Kristian Wåhlin and layout by Seiya Ogino of Ogino Design certain death is exactly what “Cerecloth” holds within.
The track listing for “Cerecloth” reads as follows:
1. Cerecloth
2. Horns
3. Like Poison for the Soul
4. Vortex of Negativity
5. Cry of the Serafim
6. The Dagger in Creation
7. A Sanguine Tide Unleashed
8. Necronaut
9. Last Breath of Yggdrasil
On another note Century Media Records is thrilled to announce that NAGLFAR has inked a new deal with collective corpse water that is extending the long-term relationship:
Philipp Schulte, Director, comments: “NAGLFAR and Century Media have a long history and a close bond. Since 2003 and with the release of the album “Sheol” the band and the label have worked together. We are very happy to continue this great cooperation for future album releases. The time has come: With ‘Cerecloth’ NAGLFAR finally returns! We are stoked to release this beast of a real melodic black metal album from the far North of Sweden. Thank you, guys, for your trust throughout all these years. Stand as one for battles to come.”
NAGLFAR about resigning: “There were never any doubts when approached by the Century Media family about extending our cooperation. One can’t ask for a better label and we look forward to unleash ‘Cerecloth’ upon the world.”
Catch NAGLFAR live on one of the following live dates:
17.-18.04.20 (DE) Lichtenfels – Ragnarök Festival
22.-23.05.20 (DE) Kirchdorf bei Haag, Oberbayern – Bavarian Battle Open Air
18.-21.06.20 (BE) Dessel – Graspop Metal Meeting
27.-28.06.20 (USA) Los Angeles – California Deathfest
02.-04.07.20 (DE) Friesack – Under the Black Sun
