When a scientist discovers a new and unknown fossil, he gets to give it a scientific name. Some choose a name that reflects the shape of the animal, some choose a name that relates to where it’s found, and others choose to name them after their favorite rock stars.
A new exhibition, “Heavy Metal And Punk Fossils”, explores this more amusing part of natural history by focusing on a series of bizarre fossils that all are named in honor of rock stars. One of the pieces on display will be a 420-million-year-old worm with huge jaws, which carries the name Kingnites Diamondi, named by Professor Mats Eriksson, from Lund, Sweden, after the Danish metal maestro King Diamond. Another equally old and ferocious-looking worm is named Kalloprion Kilmisteri, after Ian “Lemmy” Kilmister of MOTÖRHEAD. Other fossils that are portrayed in the exhibition are named after members of AC/DC, BAD RELIGION, SEX PISTOLS, and RAMONES. And although not very metal, a fiercely looking dinosaur, Masikasaurus Knopfleri, is named after Mark Knopfler from DIRE STRAITS.
The exhibition portrays the story behind the fossils, the rock stars and the scientists behind the names, and the funny anecdotes about why they choose the names they did.
The June 9 opening of “Heavy Metal And Punk Fossils” at Geomuseum Faxe in Faxe, Denmark turned out to be quite spectacular, as King Diamond made an appearance and exposed the animal named in his honor.
Among the guest speakers was Eriksson, whose naming of fossil organisms after King Diamond and Lemmy initiated the idea behind the exhibition. Danish radio host and heavy metal singer Alex Nyborg Madsen was chosen to reveal the exhibition, but when King Diamond turned up at the reception, he happily shared the duty with him, so King could reveal the big lifelike model of Kingnites Diamondi, the fossil named in his honor.
King Diamond was visibly moved by being one of the stars in the exhibition and stayed around for a long time and chatted, had pictures taken and wrote autographs. Eriksson even said that meeting King Diamond in person was a greater experience for him than it was when he was appointed as professor two years earlier.
King was in Danmark as part of his ongoing world tour where he will headline at the Copenhell festival on June 15 in Copenhagen.
Museum curator Jesper Milàn explains: “It was an unbelievable honor for us that King Diamond came by and participated in the opening reception, and luckily, he was very pleased with the exhibition and thought the model of Kingnites Diamondi (the 420-million-year-old fossil) was great and very metal in its raw brutality.”
The exhibition is being held as a cooperation between Milàn and Esben Horn from 10Tons Aps, a company specializing in zoological and palaeontological reconstructions who built models for the exhibition.
Eriksson, Dr. Gregory Edgdecombe, Natural History Museum in London and Dr. Jingmai O’Connor from Institute of Vertebrate Palaeontology and Palaeoanthropology in Beijing have been scientific supervisors on the project.
The “Heavy Metal And Punk Fossils” exhibition can be seen at Geomuseum Faxe in Faxe, Denmark the rest of the year.
Compiled from over 400 interviews conducted by respected music journalists Jon Wiederhorn and Katherine Turman, Louder Than Hell: The Definitive Oral History Of Metal – out via It Books on May 14th in hardcover edition) is a chronological history of heavy metal, told through the words of the men and women who created it, played it, re-invented it, and continue to rock it.
Revolver senior editor Wiederhorn and Nights With ALICE COOPER producer Turman dug deep into their extensive list of contacts to uncover never-before-heard stories, eye-opening admissions and the truth behind metal’s most explosive legends. Candid and confessional commentary comes straight from icons of the genre, including: RONNIE JAMES DIO, OZZY OSBOURNE, BRUCE DICKINSON, EDDIE VAN HALEN, VINCE NEIL, TOMMY LEE, LITA FORD, LARS ULRICH, JAMES HETFIELD, AXL ROSE, SLASH, COREY TAYLOR, DAVE MUSTAINE, CHUCK SCHULDINER, LEMMY KILMISTER, KING DIAMOND, DAVE GROHL, TRENT REZNOR, SLAYER’s Kerry King, PHIL ANSELMO, ROB ZOMBIE and more. With an introduction by Scott Ian of ANTHRAX and an afterword by Rob Halford of JUDAS PRIEST, and with two 16-page photo inserts, with some never-before seen candid shots by celebrated rock photographers Stephanie Cabral and Robert Matheu, this is the book metal fans have been waiting for.
The many musicians interviewed by these veteran journalists offer their take on their influences, touring, the music business, and songwriting, as well as their often-traumatic upbringings, battles with substance abuse, and bizarre sexual exploits. Industry insiders (including managers, record label executives, family members, friends, scenesters, groupies, journalists, and porn stars) provide additional insight.
From the creation of Black Sabbath in the late 1960s, to Judas Priest’s development of the leather-and-studs look, to METALLICA introducing the world to thrash, to the inception of Ozzfest, to FAITH NO MORE accidentally creating the first hybrid of rap and metal, to the provocative exploits of the Sunset Strip scene, to the death and destruction surrounding Norwegian black metal, Louder Than Hell gets to the meat of the metal matter:
* Rob Halford of Judas Priest reveals how he kicked cocaine and alcohol in 1986 after tragically witnessing his boyfriend’s suicide and sought solace in spirituality, which has helped the Metal God stay clean to this day.
* GUNS N’ ROSES’ Axl Rose talks about the early days of Guns N’ Roses, the making of the 36-million-copy-selling debut Appetite for Destruction, and how Robert Willams’ graphic cover art was censored.
* Black Sabbath guitarist Tony Iommi explains how he lost parts of his fingers while working a day job in a factory – and created homemade prosthetics so he could play guitar, which changed the tonality of the instrument and the sound of heavy metal forever.
* Megadeth bassist Dave Ellefson shares how he dug through his own vomit in search of the balloon of heroin he’d swallowed to avoid being arrested by the police, and then used that heroin to celebrate his victory over not getting busted.
* Members of Metallica and Anthrax detail the horrifying events of 1986 when Metallica’s tour bus crashed and tipped over, crushing bassist Cliff Burton beneath it while the rest of the members escaped relatively unscathed.
* Alice Cooper reveals how it was really wheelchair-bound members of his audience who tore the live chicken apart during his fateful concert in Toronto, while Ozzy and Sharon Osbourne give first-person accounts of Ozzy biting the head off a dove while wasted during a high-level record company meeting, and decapitating a bat onstage during his Diary of a Madman tour.
* Hellhammer, drummer of Norway’s pioneering black metal band MAYHEM, talks about ex-vocalist Dead committing suicide and how guitarist Euronymous used a chunk of Dead’s brain to make a Mexican stew.
* BIOHAZARD guitarist Billy Graziadei details how gang bangers stabbed a member of the group’s posse with a hunting knife while shouting, “Payback, Motherfucker!” and how the band vowed to retaliate. Vocalist Evan Seinfeld also recounts his graphic sexual liaisons while on tour, and how they led to his career in porn.
* SLIPKNOT bassist Paul Gray (who died of an overdose at age 38 during the writing of Louder Than Hell) discusses the evolution of the lineup; physical fights between band members, and his own struggles with addiction.
Louder Than Hell explores the transformation of metal culture, with stories and anecdotes straight from the mouths of the most infamous and successful bands. Filled with hundreds of revealing interviews representing every type and era of heavy metal—from metal progenitors such as Blue Cheer, Led Zeppelin, and the MC5 to current day innovators including Slipknot, Mastodon, and Lamb of God—Louder Than Hell is the ultimate look behind the curtain at one of our most dynamic, controversial and enduring musical genres.
Introducing a new feature, the Classic Video of the Week! Every Wednesday, we’ll present a clip from the Roadrunner vaults that we think deserves a return to the spotlight. And we couldn’t kick this off with anyone but the man who did so much to put Roadrunner on the map in its earliest days – King Diamond! Whether with Mercyful Fate or as a solo act, the King was one of the artists most strongly identified with Roadrunner in the 1980s, and “The Family Ghost” was the first single from his landmark 1987 concept album, Abigail. Look closely – King Diamond‘s drummer, Mikkey Dee, is currently pounding the kit for Motörhead!
King Diamond‘s five Roadrunner albums – Fatal Portrait, Abigail, Them, Conspiracy and The Eye – are all compiled in the digital boxed set The Complete Roadrunner Collection 1986-1990, available now in the Roadrunner webstore!
The Danish heavy metal legend KING DIAMOND is coming back to Tilburg, Netherlands’ 013 for the first time in seven years on August 6th. For more details and tickets click here.
Check out King Diamond’s schedule below:
May
19 – Rock Hard Festival – Gelsenkirchen, Germany
25 – Metallsvenskan – Örebro, Sweden
29 – Hala Kolo – Warsaw, Poland
31 – AEGON Aréna NTC – Bratislava, Slovakia
June
2 – Metalfest Open Air Festival – Plzen, Czech Republic
14 – Copenhell – Copenhagen, Denmark
18 – DK Lensoveta – Saint Petersburg, Russian Federation
20 – Stadium Live – Moscow, Russian Federation
28 – Tuska Open Air Festival – Helsinki, Finland
30 – Graspop Metal Meeting – Dessel, Belgium
August
6 – 013 – Tilburg, Netherlands
9 – Bloodstock Open Air Festival – Derbyshire, UK
VOLBEAT‘s latest album, Outlaw Gentlemen & Shady Ladies, features a guest appearance from the legendary KING DIAMOND. Today, King Diamond and Volbeat are pleased to release the Jacob Hansen mastered version of this track, titled ‘Room 24’, as a free download gift to fans. Download the track in full-quality here.
‘Room 24’ features a massive coup for Volbeat with the guest appearance from King Diamond, the legendary front man of Danish metal pioneers MERCYFUL FATE, and one of Poulsen’s musical idols.
Volbeat reveals, “I’m a huge fan of Mercyful Fate and King Diamond. Having King on the record is a huge privilege. Normally, it’s not something he does. He wrote his own lines, and it is half my lyrics and half his. It’s a weird, scary story, and he’s the perfect person for it.”
Outlaw Gentlemen & Shady Ladies is out on April 9th. The album contains the following 14 songs:
‘Let’s Shake Some Dust’
‘Pearl Hart’
‘The Nameless One’
‘Dead But Rising’
‘Cape Of Our Hero’
‘Room 24’ (feat. KING DIAMOND)
‘The Hangman’s Body Count’
‘My Body’
‘Lola Montez’
‘Black Bart’
‘Lonesome Rider’ (feat. SARAH BLACKWOOD)
‘The Sinner Is You’
‘Doc Holliday’
‘Our Loved Ones’
The video for ‘Cape Of Our Hero’ can be seen below:
Remaining dates on Volbeat’s North American tour with openers DANKO JONES are as follows:
April
6 – Ft. Wayne, IN – Piere’s
7 – Toronto, ON – Sound Academy
9 – New York, NY – Best Buy Theatre
10 – Baltimore, MD – Rams Head
11 – Philadelphia, PA – Trocadero
VOLBEAT has recorded an album that seamlessly brings together all of the band’s influences and reshapes them into something gleaming and new. Planned for release in Germany, Austria and Switzerland on April 5th, in the rest of Europe on April 8th, and in North America on April 9th via Vertigo/Republic Records/Universal Music, Outlaw Gentlemen & Shady Ladies is a record that’s rich with stories and characters woven throughout its lyrics. Some are real – like the noble lady outlaw Pearl Hart, who held up a stagecoach to buy medicine for her dying mother, or Lola Montez, the erotic dancer with her infamous ‘Spider Dance,’ or ‘Black Bart’, the gentleman highwayman who wrote poems for the people he robbed. Others are entirely fictional. ‘The Nameless One’ is a cautionary tale of dabbling in the dark arts, featuring the mysterious and sinister character of the title. Elsewhere, ‘Room 24,’ featuring KING DIAMOND, was inspired by a terrifying experience in a hotel room somewhere in the heart of America.
Outlaw Gentlemen & Shady Ladies finds the core trio of Michael Poulsen (vocals/guitar), Anders Kjølholm (bass) and Jon Larsen (drums) joined by former ANTHRAX/THE DAMNED THINGS guitarist Rob Caggiano, who produced the album with longtime Volbeat co-producer Jacob Hansen.
“It’s a new vibe for Volbeat,” says Volbeat main man Michael Poulsen. “You’ve got everything – the rockabilly stuff, the melodies, the ultra-heavy stuff, the Western motifs and the big rock songs. It’s everything that Volbeat are all about, but taken even further.” The album title is a phrase that evokes another time, an era when elegant lawbreakers were the rock stars of the day. It tips its fedora to everything from the bad men (and women) of the old west to the old school metal bands who influenced the young Michael Poulsen to form his first band, Dominus, back in the early 90s.
As with so many classic albums, the seeds of Outlaw Gentlemen & Shady Ladies were sown on the road in Europe and the US. That’s where Poulsen began playing around with ideas and riffs, recording them on his mobile phone and directly to an amp. “Melody, lyrics, everything – it’s just working non-stop in my head,” he shares. When the band eventually returned to Denmark, it was time to go to work. The band leader recalls, “We came back from the U.S. after touring a lot over there, and isolated ourselves in our own homes for six months to finish off the album. That peace was something I needed. Even though it’s very inspiring to write on the road, it’s more comfortable to write at home.”
It was there that the album truly began to take shape. Poulsen would close the curtains, turn off the light and draw inspiration from the old Western movies he’d watched as a child with his father. Watching the old spaghetti westerns he’s watched with his father provided a catalyst for inspiration. He offers, “Sometimes it’s just about the right feeling – the scenery, the lines, the dusty look. I have my own soundtrack when I see those kind of pictures.”
You can hear the influence of the Old West right from the start in ‘Let’s Shake Some Dust’, an evocative intro track that features harmonica from acclaimed blues harp player Paul Lamb. You can hear it again in the rampaging ‘Black Bart,” which Poulsen describes as “our country-MOTÖRHEAD song,” and in the banjos that pepper the chorus of the hard-as-steel “Doc Holliday,” a tribute to the legendary lawman and associate of the Wyatt Earp gang. But Outlaw Gentlemen & Shady Ladies is no country & western record. If it was a car, it would be a 1973 Stutz Blackhawk with monster truck wheels – vintage and modern, stylish and muscular.
You can hear echoes of classic 50s rock’n’roll in the soaring ;’Pearl Hart’, and the live classic-in-waiting ‘Lola Montez’. The band’s metal roots come to the fore via the heavy riffage of ‘Dead But Rising’ and ‘The Nameless One’, while the ghostly ‘The Lonesome Rider’ – which finds Michael duetting with Sarah Blackwood of Canadian band WALK OFF THE EARTH like a modern day JOHNNY CASH and JUNE CARTER CASH – beats with a rockabilly heart. Elsewhere, they bring some greased-back energy to ‘My Body’, a cover of the hit song by US pop-punk outfit YOUNG THE GIANT, while the brooding album closer ‘Our Loved Ones’ is the nearest thing they’ve ever written to a ballad. Poulsen offers, “When I was growing up, my dad and mother played a lot of old records – ELVIS, FATS DOMINO, JERRY LEE LEWIS and CHUCK BERRY. I love that stuff – it’s a drug somehow. My own record collection growing up was metal. But I listen to a lot of different styles of music. If something moves you, I don’t care what it is.”
The track ‘Room 24′ features a massive coup for Volbeat with the guest appearance from King Diamond, the legendary front man of Danish metal pioneers MERCYFUL FATE, and one of Poulsen’s musical idols. He reveals, “I’m a huge fan of Mercyful Fate and King Diamond. Having King on the record is a huge privilege. Normally, it’s not something he does. He wrote his own lines, and it is half my lyrics and half his. It’s a weird, scary story, and he’s the perfect person for it.” Additional guests include Anders Pedersen on slide guitar, Rod Sinclair on banjo and
Jakob Øelund on double bass.
The album itself was recorded in the legendary PUK Studios, in Randers, Denmark. With Jacob Hansen and Rob Caggiano sharing production duties, which brought a new dynamic to proceedings. Poulsen reflects, “I love Jacob Hansen’s work. He’s part of Volbeat, and we worked together on all the albums so far. I started flirting with the idea of bringing Rob in as a producer too because he produced Anthrax and The Damned Things, and I like the sound of what he did there. I thought, ‘That could be a really cool combination,’ as both are quality guys with really high standards.”
In closing, Poulsen sums it up in sharing, “I chose this way of living because I love playing music and I love touring. We wanted to write, we wanted to be inspired by our idols, we just wanted to rock out. That, for me, is what music is all about.”
Check out a Outlaw Gentlemen & Shady Ladies trailer below:
Volbeat’s North America tour starts tonight with openers DANKO JONES. The itinerary is as follows:
March
6 – Dallas, TX – Palladium Ballroom
7 – Oklahoma City, OK – Diamond Ballroom
9 – San Antonio, TX – Freeman Coliseum
10 – El Paso, TX – Speaking Rock Entertainment Center
11 – Lubbock, TX – Lonestar Pavilion
12 – Denver, CO – Ogden Theatre
14 – Las Vegas, NV – House of Blues at Mandalay Bay
15 – Los Angeles, CA – House of Blues
16 – Anaheim, CA – House of Blues
17 – Reno, NV – Knitting Factory
19 – Boise, ID – Revolution Center
20 – Missoula, MT – The Wilma Theater
22 – Seattle, WA – Showbox At The Market
23 – Spokane, WA – Knitting Factory
24 – Calgary, AB – MacEwen Hall
25 – Prince George, BC – CN Centre
27 – Dawson Creek, BC – EnCana Events Centre
28 – Edmonton, AB – Shaw Conference Centre
29 – Medicine Hat, AB – Cypress Center
30 – Regina, SA – Brandt Centre
April
1 – Saskatoon, SA – Credit Union Center
2 – Winnipeg, MB – MTS Centre
3 – Minneapolis, MN – Mill City Nights
6 – Ft. Wayne, IN – Piere’s
7 – Toronto, ON – Sound Academy
9 – New York, NY – Best Buy Theatre
10 – Baltimore, MD – Rams Head
11 – Philadelphia, PA – Trocadero
Chief Shock Video
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video