The buzz surrounding legendary metal band JUDAS PRIEST’s forthcoming album, ‘Firepower’, is undeniably growing louder – on the strength of the video clip for the track “Lightning Strike”, as well as many of the attractive/limited edition purchasing options made available for fans via PledgeMusic already being sold out. And it will soon reach a fever pitch with the unveiling of another new killer track, plus another limited edition of the forthcoming album being made available for purchase.
Fans can now hear the title track from ‘Firepower’ via this link, and can purchase a metallic silver-colored cassette version of the album on PledgeMusic via pledgemusic.com/projects/judas-priest, and is being issued in an extremely limited pressing of only 300. And if judging from how quickly some of the previous limited edition bundles sold out via the site (such as signed guitars from Glenn Tipton and Richie Faulkner, various colors of autographed vinyl, etc.), this rare cassette version will be an instant rarity and collector’s item.
Stream Firepower here:
Watch Lightning Strike here:
Set for release on Friday, March 9th, 2018 via Epic Records – the album is comprised of fourteen tracks of pure and highly inspired metal. And to mark the occasion Priest (singer Rob Halford, guitarists Glenn Tipton and Richie Faulkner, bassist Ian Hill, and drummer Scott Travis) has reunited with producer Tom Allom (the man behind the board for all of the band’s releases from 1979-1988, including such stellar classics as ‘Unleashed in the East,’ ‘British Steel,’ ‘Screaming for Vengeance’ and ‘Defenders of the Faith’) and with Grammy Award-winning producer Andy Sneap also helping to raise the sonic bar even higher.
“Tom Allom has got this classic metal thing,” explains Halford. “And Andy is a bit more of a ‘modern metal producer’ but his thinking is a little bit different to Tom’s. And I think to get this balance between that classic old school metal to what Andy’s world is was just a remarkable coalescence.” “Tom Allom has been with us since 1979, so his knowledge of ourselves and our music in general is immense,” adds Hill. And according to Travis Priest returned back to a recording method that worked incredibly well on the band’s earlier classics – “We went back to the organic way of recording where it’s all of us in a room and we got to play together.”
With the impending arrival of ‘Firepower’ and its ensuing tour (which kicks off on March 13th), THE PRIEST IS BACK!
‘FIREPOWER’ TRACKLISTING:
1. Firepower
2. Lightning Strike
3. Evil Never Dies
4. Never The Heroes
5. Necromancer
6. Children of the Sun
7. Guardians
8. Rising From Ruins
9. Flame Thrower
10. Spectre
11. Traitors Gate
12. No Surrender
13. Lone Wolf
14. Sea of Red
It’s now moving swiftly towards fifty years since a band formed in Birmingham, who went on to become one of the biggest and most loved heavy metal acts on the planet! Now in 2018, Rob Halford, Glenn Tipton, Ian Hill, Richie Faulkner and Scott Travis are preparing to release the eighteenth JUDAS PRIEST studio album, “Firepower” on 9th March via Columbia Records.
I was very fortunate to be able to speak to legendary JUDAS PRIEST bass player Ian Hill about the new release and as gain as much information as I could in the short time available! We also discussed the forthcoming tour, festivals and more. You can read some excerpts from the interesting chat below and listen in full on the audio player:
We had to begin by talking about producing legend Chis Tsangarides who sadly passed away recently. Ian paid the following tribute and remembered working with Chris:
“The first time we worked with Chris, he was a tape op come engineer at Morgan Studios in London and he worked on our second album which was in 1975, he worked on Sad Wings. Of course, he was a fresh faced young lad back then you know.
He was full of life – he was a funny man as well, some of the things he used to come out with, you know. He’d put on some accent and just sit down in the middle of the studio and say ‘produce, produce’ and stuff like that. Brilliant bloke, brilliant bloke.
And of course obviously, he worked up in his own field and ended up being a producer and he did Painkiller, he worked on Painkiller with us, which was a big move for us because we’d been using Tom Allom up until then and at that point I think we’d sort of reached the end of the road with Tom you know, so we thought we’d use someone else and Chris had been doing a lot of new metal. So we thought we’d give him a go and see how he’d fit in after all these years – there’s quite a gap there, fifteen years or so and he was just the same (laughs), you know a bit older, a bit bigger, but he as just the same and he did a tremendous job as you know, Painkiller’s one of our landmark albums. And then after that, Rob left the band after that, when we took on Ripper, he did Jugulator as well you know.
We hadn’t seen him for a long time – you know what it’s like in this business, you’re in different places at different times, but it is sad and it is a great loss to metal in particular and music in general.”
On forthcoming album “Firepower” Ian was very enthusiastic!:
“You say it every time don’t you, ‘this is the best album we’ve ever done’, but it is! (laughs) Believe me it is. It’s something we’ve always tried to do in the band – to step forward with each album and try and make things better. So we can justify when we say this is the best album we’ve done ’cause it is, it’s absolutely tremendous.“
We went back to using producers on this album for the first time in a couple of albums. Tom Allom of course who we’ve known from all these years ago, it’s a name that crops up every time we think of using a producer you know. And Andy Sneap who’s been doing all the new metal, he’s well up with the new recording techniques. So, we decided to approach them both to see if they’d work together and fortunately for us they did and they got on like a house on fire.”
Ian Hill JUDAS PRIEST
Discussing the band recording the album by playing together in the studio, Ian expressed:
“Well funnily enough, you’d have thought Tom would’ve come up with that wouldn’t you, but it wasn’t, it was Andy. He wanted us to play as a band. When we started out, we were a bit wary about doing it like that you know. The trouble is when you’re doing it like that, you get your part right and somebody else hasn’t done it properly, so you have to do it again, so you’re there for ages – or you used to be at one time. But these days, you can always go back and do it yourself. And we loved it and I’ll tell you what, we played as a three or four piece and the backing vocal and walked into the control room to see what we’d done and it just sounded so real and fresh and awesome, you know what I mean? You weren’t playing to click track, you were playing it there together.
The little lifts and drops in tempo and of course everybody is there together and it just sounded so real. And we did the entire album like that you know.”
To give fans a brief insight into the tracks on “Firepower”, Ian stated:
“There’s a little bit of everything there – something we’ve been known for over the years is our versatility and there’s something there for everyone. There’s very very heavy stuff – one of the heaviest songs we’ve ever done, (pauses; I’ve forgotten the name of the bloody song!), ‘Lone Wolf’ and there’s production pieces, there’s ‘Rising From Ruins’, there’s ‘Traitors Gate’ and then there’s the softer songs as well. It really is a complete album and we’re all completely over the moon with it.”
Discussing touring, Ian spoke about dates in the UK and Europe:
“The only thing we’ve got in at the moment is Bloodstock. It’s early days for Europe yet, that’s August. We’re expecting more British dates to come in, whether that’ll be this leg of the tour or whether it’ll be at a later date.
We’re starting in America in spring, go through to early summer and then we’re going to Europe because there’s a lot of festivals. You’re playing to a wider audience which is great, which is why we love doing festivals.”
Regarding changes in the band and the effects from this, Ian expressed:
“KK’s been an immense part of the band since day one, so when he left it was a big hit. But the band is bigger than the sum total of its parts really you know, we needed to carry on – the rest of us had no intention of knocking it on the head. And along comes Richie, what a great find he’s been. He’s been an inspiration since he joined, he’s brought new life back to the band, come up with fresh ideas that we probably wouldn’t have thought of ourselves and he’s been a real asset.”
Answering the question of whether “Firepower” will be the last JUDAS PRIEST album, Ian revealed:
“Well, we’re not planning on this one being the last, put it like that. The whole idea behind, we were never gonna stop touring, we were just gonna try and get away from intensive touring, none of us are spring chickens any more. But that didn’t happen (laughs). If you’re gonna do a tour you know, you can’t say ‘we’ll play here and not there’. But we are loving it, that’s one of the reasons we do this, it’s because we love it and there’s no looking back now – we’ll just go till one of us drops I suppose!”
JUDAS PRIEST could easily rest on their laurels at this stage of their highly successful and influential career. However, the legendary metal band – singer Rob Halford, guitarists Glenn Tipton and Richie Faulkner, bassist Ian Hill, and drummer Scott Travis – refuse to do so as evidenced by the arrival of their eighteenth studio album overall – “Firepower.” The album’s first single ‘Lightning Strike’ is now available worldwide and the song’s music video has been premiered at revolvermag.com.
Set for release on Friday 9th March 2018 via Columbia Records – the album is comprised of fourteen tracks of pure and highly inspired metal. And to mark the occasion Priest has reunited with producer Tom Allom (the man behind the board for all of the band’s releases from 1979-1988, including such stellar classics as ‘Unleashed in the East,’ ‘British Steel,’ ‘Screaming for Vengeance’ and ‘Defenders of the Faith’) and with Grammy Award-winning producer Andy Sneap also helping to raise the sonic bar even higher.
The album is available to pre-order now on CD, limited edition coloured vinyl and digital from the official Judas Priest store here.
“Tom Allom has got this classic metal thing,” explains Halford. “And Andy is a bit more of a ‘modern metal producer’ but his thinking is a little bit different to Tom’s. And I think to get this balance between that classic old school metal to what Andy’s world is was just a remarkable coalescence.” “Tom Allom has been with us since 1979, so his knowledge of ourselves and our music in general is immense,” adds Hill. And according to Travis, Priest returned back to a recording method that worked incredibly well on the band’s earlier classics – “We went back to the organic way of recording where it’s all of us in a room and we got to play together.”
With the impending arrival of “Firepower” and its ensuing world tour (which kicks off on 13th March in the USA), THE PRIEST IS BACK!
‘FIREPOWER’ TRACKLISTING:
1. Firepower
2. Lightning Strike
3. Evil Never Dies
4. Never The Heroes
5. Necromancer
6. Children of the Sun
7. Guardians
8. Rising From Ruins
9. Flame Thrower
10. Spectre
11. Traitors Gate
12. No Surrender
13. Lone Wolf
14. Sea of Red
British metal legends JUDAS PRIEST have announced via their official Facebook page that the title of their new album, set for release early in 2018, is “Firepower”.
According to Blabbermouth.net, the band will support the disc’s release with a North American tour, which will kick off on March 13 in Pennsylvania, and wrap up on May 1 in Texas.
All dates will be running a “JUDAS PRIEST fan presale” starting Wednesday, October 25 at 10:00 a.m local time with the password “FIREPOWER” that fans can use to purchase tickets in advance.
Check the local venue for additional information.
Confirmed tour dates:
Mar. 13 – Wilkes Barre, PA – Mohegan Sun Arena at Casey Plaza
Mar. 15 – Youngstown, OH – Covelli Centre
Mar. 17 – Uniondale, NY – Nassau Coliseum
Mar. 18 – Washington, DC – The Anthem
Mar. 20 – Newark, NJ – Prudential Center
Mar. 22 – Uncasville, CT – Mohegan Sun Arena
Mar. 25 – Ottawa, ON – The Arena at TD Place
Mar. 27 – London, ON – Budweiser Gardens
Mar. 28 – Oshawa, ON – Tribute Communities Centre
Mar. 30 – Orillia, ON – Casino Rama
Mar. 31 – Detroit, MI – Detroit Masonic Temple
Apr. 03 – Milwaukee, WI – Riverside Theater
Apr. 05 – Green Bay, WI – Resch Center
Apr. 08 – Bloomington, IL – Grossinger Motors Arena
Apr. 10 – Casper, WY – Casper Events Center
Apr. 11 – Loveland, CO – Budweiser Events Center
Apr. 15 – Kent, WA – ShoWare Center
Apr. 17 – Portland, OR – Veterans Memorial Coliseum
Apr. 19 – San Francisco – The Warfield
Apr. 22 – Los Angeles, CA – Microsoft Theater
Apr. 24 – Phoenix, AZ – Comerica Theatre
Apr. 26 – Tulsa, OK – BOK Center
Apr. 28 – Dallas, TX – The Bomb Factory
Apr. 29 – Sugarland, TX – Smart Financial Centre
May 01 – San Antonio, TX – Freeman Coliseum
The British heavy metal legends have spent the last few months in the studio recording the follow-up to 2014’s “Redeemer Of Souls” with the band’s longtime collaborator Tom Allom, acclaimed British producer Andy Sneap (MEGADETH, EXODUS, TESTAMENT, ACCEPT) and engineer Mike Exeter (BLACK SABBATH).
Sneap, who plays guitar in the reactivated British occult metal act HELL, recently told Serbia’s Hardwired magazine that PRIEST had “about twenty-six ideas” in the early stage of the production process for the new album. “We’ve whittled [that] down to fourteen or fifteen,” he said, adding that “we haven’t decided on which songs [will make the final cut] or a running order for the album yet.”
Andy went on to say that PRIEST‘s new album will contain “a really good energy and some real classic moments.” He said “Rob did great” during the album’s final recording sessions. “I’ll tell you what: for someone who’s got that much experience, there’s no ego there at all,” he said. “We’d do, like, six or seven passes, and I’d ask him to try something a bit [different] on this part, and he was, like, ‘No problem.’ And he’d give me another four takes with a slightly different vibe. And then me and Tom Allom would sit there and we’d comp it, and we pretty much agreed on everything.”
Sony Music Entertainment and legendary heavy metal band JUDAS PRIEST announced today that “Judas Priest: Road To Valhalla,” a new mobile game for iPhone, iPad and iPod touch is now available in the App Store.
The app features stunning new visuals and gameplay set to the iconic songs “Halls of Valhalla,” “Breaking the Law”, “Turbo Lover”, “Electric Eye”, and “Painkiller” and “You’ve Got Another Thing Coming.”
Judas Priest: Road To Valhalla innovates by making isolated song stems (eg drums, vocals, guitar) from the 2016 ‘Battle Cry’ album available to players exclusively within the game. Using an innovative visual mechanic, players must fill “stem meters” to construct the full song and progress through each level of the game.
“When we set out to make this game, we wanted to give fans a new kind of visual listening experience” said Rob Halford, who also appears in a series of exclusive video clips throughout the game.
“For the first time, we are making individual stems of our songs available to fans to give them a new and interactive way to engage with some of the best songs from our catalog.”
“Judas Priest: Road To Valhalla” is a joint collaboration between JUDAS PRIEST, Sony Music Entertainment, Trinifold Management LLC UK and Babaroga, a leading mobile game studio.
“Metal maniacs are you ready to join Judas Priest on the Road To Valhalla…..? We are excited to have you take charge and lead the way on the bike and the tour bus! Let the molten metal mayhem begin with the thrill of the ride! Can you claim victory on this perilous journey that leads you into Valhalla…? Have a blast and enjoy! Rob, Glenn, Richie, Ian and Scott”
It’s Christmas time and a time for celebrating, even if you’re alone! Aside from watching films and making love, we all love listening to our favourite music at full volume. Our Chief Editor has made a flammable list for you to rock with your loved ones, friends or even by yourself!
“I’ve made this for almost everyone – for those who have fallen in love this year or those who are still together after many years, those who lost their loves or friends or family members, those who are apart from each other and those who have new family members. And for those who are tired of this sad and horrible year and wish a brighter and better 2017. So here you go, rock it and don’t forget you love your neighbours, so rock it louder!
Merry Christmas!
Mohsen Stargazer Fayazi.”
1. Royal Hunt – ‘Heart On A Platter’ (“Devil’s Dozen” 2015) 2. Wolf – ‘Love At First Bite’ (“Ravenous” 2009) 3. Twilight Force – ‘To the Stars’ (“Heroes Of Mighty Magic” 2016) 4. Kingdom Come – ‘Loving You’ (“Kingdom Come” 1988) 5. Myrath – ‘Through Your Eyes’ (“Legacy” 2016) 6. Wolf Hoffmann – ‘Symphony No. 40’ (“Headbangers Symphony” 2016) 7. Judas Priest – ‘Between The Hammer & The Anvil’ (“Painkiller” 1990) 8. Iced Earth – ‘Watching Over Me’ (“Something Wicked This Way Comes” 1998) 9. Gamma Ray – ‘Rebellion In Dreamland’ (“Land Of The Free” 1995) 10. Accept – ‘Shadow Soldiers’ (“Stalingrad” 2012) 11. Black Sabbath – ‘Heaven And Hell’ (“Heaven And Hell” 1980) In memory of Ronnie James Dio R.I.P. 12. Queen – ‘The Show Must Go on’ (“Innuendo” 1991) In memory of Freddie Mercury R.I.P. 13. Motörhead – ‘Ace Of Spades’ (“Motörhead” 1980) In memory of Lemmy Kilmister R.I.P.
With the sad news today, we would like to remember Rick Parfitt from the legendary Status Quo, R.I.P.
THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video